So I’ve wanted to get into a discussion with someone as of late about Disney’s most recent animated film, Frozen. Unfortunately, most normal people don’t find debating about a children’s cartoon to be a fair use of their time, so instead I’ll voice my concerns over the Internet. This isn’t meant to be a review, at least not in a strict sense. I’m more interested in discussing why I don’t think this film is as “AMAZING AND FLAWLESS AND PERFECT” as people seem to think it is.
Let me start by saying that Frozen is, by no means, a bad film. Considering the serious flops that Disney experienced in the early 2000’s (I’m looking at YOU, Home on the Range), it was refreshing to hear that they finally struck a chord with their audiences and fan bases.
While Princess and the Frog seemed to be a small step in the right direction, Tangled burst open the doors to the studio that were beginning to collect dust. Tangled succeeded so well because it returned to the fairytale formula that Disney is best at, thanks to the input and influence of legendary animator Glen Keane, and modernized it for twenty-first century viewers. Frozen, according to many critics and movie-goers, goes one step further than Tangled by producing two strong female leads that, in Layman’s terms, “get shit done.” They aren’t dependent on a man to complete them or to solve their problems. For what they were able to accomplish, Frozen did a great job of establishing strong, three-dimensional characters (literally and figuratively).
First, I want to discuss what I thought Disney did well with Frozen, starting with the visuals. As usual, Disney maintains their artistic integrity and takes complete advantage of their icy environment that they chose for the setting. Everything visual about this movie is stunning: The backgrounds, the effects, the ice, the characters…it’s one of the most beautiful films they’ve ever animated. I adore the designs of all of the characters, whether it’s their clothes, their hair, or their facial features. I think it’s awesome that Kristoff is not your typical “hot guy” Prince Charming. He falls into the “delightfully cute and quirky,” category, the kind of guy someone would meet in real life. He isn’t out-right gorgeous, but he’s cute. Also, props to Disney for introducing a blonde male lead—the only prince in their cannon to have yellow locks (John Smith doesn’t count). Anna and Elsa are both beautiful and cute; their lovely faces are balanced by also being friendly and inviting. As for Hans…he’s the Gaston character, and they achieve “sexy handsome.” I can’t say much else.
The way they animated the ice and snow is incredible. The entire “Let It Go” sequence is one of the most breathtaking, visually stunning scenes, and definitely the pinnacle of the film. All of the ice, as well as the environment that they set up, is both beautiful and dark—the snow glitters as the sun shines on it, but the harsh winds and dark, black nights bring the winter curse to life. I felt cold just watching it in the theatre.

Frozen’s music is good. There is a selection of songs that are excellent, but a few of them were borderline silly. Yes, “Let It Go” is catchy. Yes, the “Fixer Upper Song” is stupid.
I also give props to Disney for introducing one of the few sidekick characters in their history that isn’t obnoxious. Olaf was well-written, well-performed, and even though he didn’t have a real significant purpose in the story, he was never in the way.
Disney also stepped up their game with the use of serious internal conflict, something that is rare in their cannon in favor of more simplified storylines and motivation. The character of Beast (a.k.a. Adam) dealt with similar inner turmoil as Elsa does: He is cursed by an outside force beyond his control and forced to cope with the reality of what that means. In doing so, he pushes everyone that cares about him away and gives into the hopelessness and despair that continues to plague him until the arrival of Belle. Elsa’s own curse has placed not only despair and fear in her, but affected the lives of those around her who wished to help. She shuts the world out and loses touch with herself and her sister. While Elsa’s curse can also be viewed as a gift and can never be lifted, it is still a defining aspect of her character, just as with Beast. In this respect, Frozen achieves a level of sophistication that hasn’t been seen in over a decade.
So if there is beautiful imagery, in-depth characterization, and emotional turmoil that creates both internal and external conflict, why do I feel that Frozen is still, in many ways, a huge miss?

Anyway.
My major problem is really one thing: The story. Is the set-up good? Yes. It’s very good, actually. We get a glance at the relationship between Anna and Elsa that is both brief and powerful. There’s also an interesting dynamic between Elsa and her father, who encourages her to hide her powers and is, in a way, responsible for her anxiety. The audience gets the impression that this story is going to center on Elsa and Anna will be the one with less screen time. But, for anyone who paid attention to the trailer, you know that isn’t the case.

The film does redeem itself a bit in the end by offering a twist on the “act of true love” cure for Anna’s curse, but for me, it isn’t enough to make up for the fact that they offer such little time to develop their relationship or even just Elsa’s character. We pity her, but we don’t empathize because there’s hardly anything there to cling to. The act of true love is more powerful for Anna’s character because it reveals the first genuine act of selflessness that she demonstrates in the entire film. But again, why is she the focus? Why isn’t Elsa? Why isn’t Elsa trying to help her sister rather than whine and pity herself? Why the hell did Kristoff battle through the blizzard to get to Anna, only to disappear and end up doing nothing? What was the purpose of the trolls???
In the end, I will say this: Frozen is another step in the right direction. Is it Beauty and the Beast? Heck no. Is Disney getting closer to hitting that mark? Yes. Maybe their next film will be just what we’re all looking for.